M. SzalHappy Bastille Day everyone! Here are some highlights from my sketchbook this summer I would like to share:
Drawing of priest during Mass @ St. Elizabeth Ann Seton
Drawing of Altar @ St. Elizabeth
Hebrew Calligraphy Practice
Watercolor @ Pershing Square in Los Angeles of Beethoven Statue
Video post on the FB account that I made from screen video discussing the inspiration/concepts I was influnced by in making, The Flying Dutchess…
I was blessed to move to Los Angeles last year at the end of September 2022. As many of the Old Masters once painted the buildings and sculptures in the parks and squares of cities they lived, I have endeavored to do so in reverence to them.
In an attempt to cure my insatiable love of Art Deco buildings, I visited Pershing Square. The Title & Trust building is an Art Deco gem situated off the square, named after prestigious WW1 General Pershing himself, mastermind of the Argonne Forest Campaign. In this watercolor, I did not do any underdrawing with pencil or pen and painted this with the brush from observation with no reference photographs. This process increases dexterity with the brush and better economy of line with each brush stroke.
Pershing Square was redesigned by Ricardo Legorreta in the 1990s and these elegant, orange spheres feature prominently in the square vibrant new look.
View the article online here: https://www.fwweekly.com/2013/05/15/gallery-47/
I recently finished remodeling my +650 sq. ft. bungalow with a new style I created called “Zen Deco”, which combines the art deco style of 1920s &30s with a Zen Shinto shrine aesthetic. These are a few preparation drawings and floor plans I drew during the project.
Fountain in Front of the Burgos Cathedral – Watercolor on Watercolor Paper ( 7th of May 2022)
L’Aurora (The Aurora) is a large Baroque ceiling fresco painted in 1614 by Guido Reni for the Casino, or garden house adjacent to the Palazzo Pallavicini-Rospigliosi, in Rome. I created this gif to illustrate better the geometric structure underlining Reni’s beautiful sweeping forms of gods, goddesses and angels in the glorious gold-filled dawn.
The Baroque was known for dynamic movement and triangle compositions that seemed larger than life yet replaced the idealism of the renaissance with something more akin to the drama of an opera (which also became hugely popular around the same time in the 17th century). Below is another of my favorite Reni paintings, Susanna and the Elders (1620-25). The Susanna painting also uses a fantastic composition with powerful axial movements galore.
When I was in art school at Pratt, we had several assignments requiring us to select an Old Master painting to break down axially. Any significant curve, line, or other shapes that define the big moves of colors or a figure in the image can be broken down this way. Our professor had us take tracing paper and draw out the significant axial movements with different colored pens or markers directly over a printout of the original painting. These exercises helped me to understand the deeper essence of composition and our class looked at Baroque paintings in particular for their use of balancing diagonals with triangles for a dynamic yet balanced and compositionally strong image. I still make these from masterworks for inspiration and historical allusions in my artwork.
I found some old images of some paintings I was commissioned to do for a band from Dallas area named, “The Pajammas” way back in 2011. The album is actually still for sale on bandcamp. Check out the inside cover and back after the cover below.
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